Residential Building of Dr. Bojadjijan Hofsed
Buildings/For the needs of Dr. Bojadjijan Hofsed, the architect Ivan Artemushkin designed his family house in 1930 in the Skopje neighborhood of Debar Maalo. It was built as a freestanding building, curving semicircularly around the corner formed by the two streets, “Orce Nikolov” and “Miroslav Krleža.” The façades of the two street wings, differing in length, are divided into segments that visually create symmetry, with the axis centered on the vertical line of the entrance section housing the staircase, which is crowned by a rectangular tympanum.
The architectural design of the house reflects eclecticism with influences from the Serbian-Byzantine style, most prominently expressed in the façade treatment, which abounds with rich classical decorative elements such as medallions, reliefs, niches, numerous window openings, and projecting balconies with ornate railings.
Architect Ivan Artemushkin
Year of design 1930
Investor / Owner Dr. Bojadjijan Hofsed
City / Municipality Skopje
/ Centar
Address Orce Nikolov St. No. 109
Floors B+GF+1+A
Original typology
Current purpose
Protection status protected
- Building chronology (project, construction phases)The original design was created by architect Branislav Kojić, featuring a completely different scale and aesthetic, while the final execution was designed by architect Artemushkin. The building was designed in 1930.Number of floorsB+GF+1+AProgram description (floor plan details)The ground floor housed the premises for the doctor's office as well as a rental apartment. The family apartment of the Hofsed family was located on the upper floor. The basement was intended for storage, including firewood and other supplies. The house is accessed through two entrances: the main entrance to the residential areas is located in the middle of the building, while access to the clinic is via a separate stairwell on the southern side.StructureThe building is constructed with a massive structural system. According to the original technical description, the building was erected from durable materials, with foundations and basement walls made of rammed concrete. The walls on the ground floor and first floor are made of well-baked brick with lime mortar in a 1:3 ratio. The ground floor walls are 45 cm thick, while the first-floor walls are 30 cm thick. The building features a standard reinforced concrete mezzanine structure. The roof structure is made of pine wood.RoofA multi-pitched roof covered with tiles and open flat terraces. Above the entrance hall, a dome was planned, but its construction is unknown.FaçadeThe façades are representative, made with lime plaster and painted, featuring rich classical decorative plastic elements such as medallions, reliefs, niches, numerous window openings, and protruding balconies with ornamental railings.CarpentryThe exterior carpentry consists of wooden windows and doors. The balcony railings, protective window grilles, and stair railings are made of wrought iron.Interior / Communal spacesCirculation core: stairs with terrazzo finish; railing – decorative, made of wrought iron with wooden handrail; entrance doors – wooden, painted white.ContextThe house of Dr. Bojadjijan Hofsed was built in what was then the periphery of Skopje, in the neighborhood originally called Idadija (a Turkish term meaning “gymnasium”), due to its close proximity to the Teachers’ School. Directly across from it stands the iconic Skopje tavern “Idadija,” which was constructed two years earlier, in 1928. With its distinctive and recognizable architectural expression, the house is harmoniously integrated into the immediate surroundings and the urban fabric of Debar Maalo. As a significant cultural heritage monument from the interwar period, it represents an inseparable part of Skopje’s urban development.
- RoofA multi-pitched roof covered with roofing tiles and enclosed roof terraces with metal sheet roofing.FaçadeThe façades are representative, made with lime plaster and painted, featuring rich classical decorative plastic elements such as medallions, reliefs, niches, numerous window openings, and protruding balconies with ornamental railings.CarpentryA large portion of the original wooden carpentry has been replaced with PVC. The original entrance door has been replaced with two smaller doors made of different materials.Building surroundingsThe house faces a public area paved with concrete blocks. The ground level in front of the building is occupied by a temporary structure (an outdoor terrace for the restaurant located in the building’s basement).Interior / Communal spacesCirculation core: stairs with terrazzo finish; railing – decorative, made of wrought iron with wooden handrail; entrance doors – wooden, painted white.Exterior conditionpoorInterior conditionsatisfactoryExterior authenticitygoodInterior authenticitygoodModificationsIn 2003, the basement spaces of the house were repurposed for hospitality use. Other interventions and changes have been made, though the exact dates are unknown: -The roof terraces were enclosed to add residential spaces. -The original main entrance door was replaced with two smaller doors made of different materials (one serving as the entrance to the residential units, the other leading to the basement spaces housing the hospitality venue). -A number of original wooden windows were replaced with PVC frames. -A temporary structure (an outdoor terrace for the restaurant located in the basement) was placed in front of the ground floor of the building. -A metal chimney was installed on the southwest façade for the restaurant’s needs, extending the full height of the façade. -A metal canopy was added above the balcony on the southwest façade.
- protected Significant cultural heritage with a second-degree protection regime. The contact zone of the building has a third-degree protection regime.
- historical architectural and aesthetic authorship emotional With its distinctive and recognizable architectural expression, the building is etched in the city's memory and holds significance for the identity of Debar Maalo and Skopje as a building that survived the 1963 earthquake and is still in use.
- Recommendation to the owners: The value of the building should be respected when installing elements directly on the façades, and if changes are made, they should be aimed at preserving its authenticity.
- Chausidis, N. & Efremovski, M. (2024). Artemushkin and Skopje. Skopje. Tomovski, K., & Petkovski, B. (2003). Architecture and Monumental Art in Skopje Between the Two World Wars. Skopje: Museum of the City of Skopje. Cultural Heritage Protection Office, Registered Immovable Cultural Properties Under the Jurisdiction of National Institutions, November 2024. Retrieved January 2025, from: http://uzkn.gov.mk/mk/wp-content/uploads/2024/11/REGISTRIRANO-NEDVIZNO-KULTURNO-NASLEDSTVO-2024-za-web-%D1%84%D0%B8%D0%BD%D0%B0%D0%BB.pdf Kocevski, D. (2022). If You Love Skopje – Come, I Will Wait for You on the Waterfront. Skopje: Begemot. Sakam da kazham. (06 October 2018). From a canteen with schnapps and boiled egg to a museum of city culture, "Idadija" celebrates its 90th anniversary. Retrieved January 2025, from https://sdk.mk/index.php/magazin/od-kantina-rakija-vareno-jajtse-muzej-na-gradskata-kultura-idadija-slavi-90-godini/ State Archive of the Republic of North Macedonia, Skopje Department.